Hey! This is the old a broken mold. Newer stuff is at abrokenmold.net.
That being said, feel free to rummage through the archives over here. Also feel free to leave comments; we're still keeping an eye on this.
Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

I just finished the book last night - it's a G.K. Chesterton and somewhat reminiscent of his Father Brown stuff. It's a detective novel, but not a very conventional one. The detective in question is one Basil Grant, a retired judge and unsocial but not antisocial type, who is followed about by his brother Rupert, an ever suspicious amateur detective himself, and the narrator of the book, Swinburne.

As described on the back, there are six chapters, but not a crime in any of them, unless of course, you could consider some of the actions involved in investigation criminal. That is, of course, where the Club of Queer Trades comes in, that mysterious bureau of entirely new occupations. And they really are queer, in that old British sense of the word. I confess that some of them had me until the very end (and they certainly have Rupert and Swinburne to the end every time).

Basil seems insane to his friends, but I found myself rather trusting him even if his ideas seemed absurd. So, to wrap this bit of the post up, it's not too long of a read (my edition is 126 pages) and is worth a read for each chapter, and especially for reading through and discovering the ending (if you don't guess it before, that is).

Dev Update

Now then, the report on the new a broken mold. I'm happy to say that the development, which consists of bending WordPress and CSS to my will, seems to me to be almost over. While I'm here, let me give Firebug a plug; it's a web development add-on for Firefox, and boy is it ever cool. It has JavaScript and DOM tools, which I don't use, but the HTML and CSS tools are handy. The killer feature: you can edit code and see the results in real time (I'm not sure how that works with JavaScript). If you've ever done CSS work, you can probably imagine how handy that is.

I'm also happy to say that I contacted NearlyFreeSpeech.NET last night and was elated to learn that I could pay through the parents' plastic (with me giving them equal cash, of course) since I don't have a checking account yet.

So I'm hoping to get it up within the next half a month, and I suppose a month at the latest.

Time for homework now -- catch you later.

So I just thought I'd put fingers to keyboard, so to type, since I had a couple thoughts...

(Yes, that was a not-so-subtle parody of Nat's post here.)

-Part 1
-

Well, over the course of our vacation/trip, we've been staying at the houses of various friends and relatives (similar to Linux distro-hopping, I daresay) and one of the features that varies between locations is the reading selection. At one of my uncles and aunts' house, they had a number of Frank Peretti books; I've read several of his: The Oath, Hangman's Curse and Nightmare Academy, some from the Cooper series, and also Piercing the Darkness. However, I had not read Monster or House, a book he co-authored with Ted Dekker, nor had I read This Present Darkness, to which Piercing the Darkness is a sequel. They had all three of these books, and I read all three last weekend.

This, I imagine, puts me in a somewhat qualified position to review and comment on Peretti's literary offerings, and that is what I intend to do.

Peretti's books might be generally described as supernatural thrillers; he gives angels, demons, and spiritual warfare a very real place in everyday life. In addition, he provides insight on modernity and culture from a biblical perspective; his plots depict the consequences of fallen human nature in a gripping and lively fashion. His simple and unrefined dialogues and almost over-the-top vivid descriptions combine to create an urgent, driving story.

In Monster, for example, the story begins with a handful of people taking a weekend retreat into the wilderness, but an ongoing thread of perplexing hints and puzzle pieces races through the building tension to form an entire web of intrigue that involves Sasquatches, hair-raising hunts and gruesome deaths, and the ruthless advance of Atheistic science. House deals with a deadly game of manipulation and greed, fueled by fear and Satanism, and ultimately exposes our bondage to Sin in our own hearts, and liberation through Christ and sacrifice.

"Light came into the darkness, but the darkness did not understand it."

This Present Darkness and Piercing the Darkness vividly depict the struggle of the Remnant against the onslaught of Humanistic (and ultimately Satanistic) agendas, power struggles for the education system, government, and even entire towns. But beyond this superficial picture, the awesome conflict between angels and demons, good against evil, is beautifully portrayed. These books are a powerful testament to the efficacy of prayer, with the prayers of the saints providing "prayer cover" for angels to carry out maneuvers, and strength to meet demons in battle. Finally, the assurance that shouts so gloriously from the pages is that God IS ultimately in control, and "light will always pierce the darkness." Shades of C.S. Lewis's deeper magic. I get goosebumps.

So, as the angels say, "For the saints of God and for the Lamb!"

-Part 2-

Now, a bit on mewithoutYou (mentioned of course in many previous posts), arguably my favorite band. To be perfectly honest, my estimation of mwY may have been somewhat lowered by what I've recently learned. Then again, maybe I've just *altered* my preconceptions, while still holding their work in the same esteem. I think that really is the key word-- preconceptions. Not to flood this post with C.S. Lewis references or anything, but I think there is something to be said for his (if somewhat Universalist) account in The Last Battle of the dialogue between Aslan and Emeth (a Calormene), where Aslan explains that, while Emeth thought he had been worshipping Tash, he had in fact been serving Aslan, "For I and he [Tash] are of such different kinds that no service which is vile can be done to me, and none which is not vile can be done to him." Okay, so it isn't just Lewis's idea either... maybe that's what Paul was getting at in the Areopagus, eh?

The point I'm trying to pose for consideration is the possibility that, despite maybe not holding the correct understanding/belief of Scripture, it is still possible to worship and obey the one true God. That does seem to be validated by Paul's speech. Of course, you don't yet know what I'm referring to, do you? Sorry...

*deep breath*

Well, being on vacation and all, I was able to take some time to do a bit more research on mwY, the band philosophy and background, etc. And I came across a few things that I found a bit unsettling. First there's the fact that their lyrics and philosophy are influenced by Sufi Islam teachings (Aaron was raised in a Sufi household before he converted to Christianity; his father converted from Judaism and his mother from Episcopalian). Then again, it isn't as if such beliefs are *necessarily* in contradiction with a Christian aesthetic. However, it does indicate to me that they aren't on the page I thought they were, at least not nominally, and sometimes nominally can be important. More on that later. Next, I found a couple of interviews with lead vocalist Aaron Weiss found here and here. From the first interview, we find this excerpt:

It’s not like I’m offended if someone says we’re a Christian band. I just don’t think it’s true. I don’t think we live up to that calling, so I’d be reluctant to go saying that, and God knows the truth. Our hearts are very far from Jesus.
Now that concerns me somewhat. However, if you take that in perspective with their lyrics, what do you end up with? They certainly don't seem "far from Jesus" in the many references to Jesus in their songs and the story that they tell. Eh. Hmm.

From the second interview:
I'm trying to understand the Bible, and um, but I definitely don't put it on the same pedestal that I used to. You know, where I'd say, "this is the word of God that I'm holding in my hand and this is infallible and perfect, and there's no contradictions and is scientifically accurate," and all the rest...
And then he goes on to point out reasons he now regards it as more of collection of holy Jewish stories and poems. In this list he cites various "inconsistencies," and how he just wasn't convinced by efforts to sustain their validity. I'm glad, however, to see that he goes on to say, "There's just some things that I pray to God to guide me in the right way and to guide me to the truth in the best way." He's evaluating things that the Bible says by what is written on his conscience, and I hope God will grow him that way.

So, to conclude, I want to express a few final thoughts about the worship/worldview issue. Looking at Romans 1, we seem to find another indicator of God's natural revelation and the potential to worship Him with the knowledge given. Is one absolutely required to have received the gospel to be included in God's kingdom? I hope not... what about those far-flung tribes who have lived for centuries "without excuse"? Then again, I do think it's important to claim the name of Christ if you've received the gospel. I don't know how that all works out... I realize this is sort of a whole different topic, but it is one that pertains directly to the subject at hand, so I'm trying just to briefly set up a framework. C.S. Lewis (last reference, I promise), in Pilgrim's Regress, outlines such a model, where he describes the heathens as being given a "picture" of "Sweet Desire" by God, and in striving towards that, they were living by His law. The Christians in Puritania, however, have the law without the picture. At any rate, I think it does make sense.

However it may be, I love the poetry and passion of mewithoutYou and believe their theme is in worship to God, and I certainly pray for them and hope to see them in Heaven. Can't wait to listen to It's All Crazy! It's All False! It's All a Dream! It's Alright when I get home in a week or so.

Bonus material: check out http://improveverywhere.com. Hilarious stuff, but language disclaimer.

-Matthew

I wouldn't call myself a music connoisseur, but I definitely enjoy music. Thus I share this with you. It's an instrumental album; modern orchestral rock, as one reviewer on Jamendo called it, seems to be a good description. There are no lyrics, but some backup vocals, and just some straight talking on the last track.

The music in and of itself is superb; the technical workmanship is excellent. The artist is JT Bruce, but I know not how many individuals may hide behind such a title. The story is somewhat intriguing. I listened to the album, and then I found out in the last track. After the music comes to an end, a voice begins to speak about The Dreamer's Paradox. Here it is in a nutshell: "One third of your life will be wasted. You’ll lie in an unconscious, catatonic state and sleep your life away. What if you could take those years back?" The music of the album represents a person's journey of escape into dreams, and their subsequent blending of dream and reality… until one is the same as the other.

Pretty scary. I confess it freaked me out the first time. I had to like… conquer it -- by sleeping through a night. Even then it took a little longer, I think.

The whole album runs about 74 minutes, but the last track may not be as enjoyable for listening as the others… it's rather anarchic and part of it is just speech. The preceding tracks total about 64 minutes, though, which is a pretty good amount of listening.

The Dreamer's Paradox on Jamendo 

P.S.  It doesn't really happen… I'm pretty sure you're awake. Well, I think so…

I have to say I am very impressed with the new Picasa. It seems to be faster (I think) and has gained a lot of polish. I don't really want to write a review, so I'll just list some improvements and additions.

  • improved - full screen slideshow: it is a lot faster this time around. Much more viable for doing quick full screen showoffs to people clustered about your laptop or curious family members. Extra transitions have been added (take that, Windows Photo Gallery!); Cut (I think all the old one did was Dissolve), Pan and Zoom, Wipe, Circle, Push, and Rectangle. And a exit transition/animation. Very pleased with this.
  • addition - tags: nice to see this in there. I don't use tags right now, but I'm sure it could be useful.
  • improved - search: now does a sort of auto-complete/suggestions drop down thing. Also, you can just start typing, instead of having to hit up the box.
  • improved - folder/album buttons: added some stuff: a slideshow button (labeled 'Play'), movie button, and gift CD button (that's better… I guess the old place for that at the top was kind of *out* of place).
  • addition - faces filter: now you can search for photos with faces in them. Great. Also appears in the folder/album buttons. I heard you can tag people, too, but I haven't figured out how to do that yet.
  • improved - folder/album bar: now it has transparency, which varies fluidly, depending on where you're scrolled too. Picks up the folder/albums button bar as you scroll by. Kind of cool.
  • addition - Projects: a section for projects you do in Picasa. Appears if any exist. Useful if needed, I guess.
  • addition - retouch (under Basic Fixes): it's like a magical cloning tool. Animated and very cool. I like it.
  • improvement - Picasa Web Albums integration: I can't actually say much about this, as I haven't ever logged into Web Albums from Picasa, but just from looking around the app, it looks tighter… stuff like Sync to Web and Share buttons on the folder/album bar.
  • addition - Geo-Tag: uses Google Earth. I think this might have actually previously been an experimental feature, so maybe not quite "new." Didn't fully try it out, but looks good so far… I suppose a direct lat-long entry might be nice (on a guess).
  • improvement - Collage: still at home on the bottom button bar, but vastly improved. Launches in it's own tab, so you get a lot more room. Adds a Frame Mosaic option, which has one bigger picture in the middle. Better format (size and shape) options. Pictures are now draggable, and can be scaled and rotated in the Picture Pile. Multiple Exposure has an animation to tell you it's working and a x out of y progress meter (nice, because the old one could take seemingly forever if you dumped a big load on it). Also, it appears you can save drafts of your collages… do I hear photo gift projects coming on?
  • addition - tabbed interface: Sometimes… not quite like Firefox tabs. But some actions bring down a tab bar and give you another tab with a working screen (and we find out the main view is called 'Library'). The ones I've found so far are Collage and Movie Maker. And yes, you can have more than two tabs open. And Ctrl+Tab switching works (yay!).
  • addition - Movie Maker (or could the old Picasa do movies? I don't remember…): quite impressed with this. You get some transitions from the slideshow and some different ones. Lots of other nice stuff, including broad dimension support (320x240 to 1920x1080), slide duration (fit to music included… sweet!), MP3 & WMA soundtrack support, text slides, basic video clip support, and integrated YouTube upload. Playback in edited mode is pretty fast and smooth.
  • improved - movie playback: lots better. No longer are we stuck with a play button. Now we have a seekable progress bar and what looks like editing via start and end points. Also, there's an edit button for videos with saved projects. Woot.

 

Well, that's all for right now. The only other thing is the Picasa Photo Viewer, which is pitched to you at update/install or first run (I don't remember which… it gets installed even if you don't set image file associations to it). I declined then tried it out later. It's pretty cool… filled with Picasa tricks (starring with Picasa closed, anyone?) and pretty quick to boot. The interface is a nice full screen overlay with pretty effects (though you can get it into a window with Alt+Tab). It's not replacing Windows Picture and Fax Viewer for me right now, but it's definitely a keeper.

Digital Photo Design: How to Compose Winning Pictures
Paul Comon

I saw this book earlier this year, I think, reviewed in a photography magazine. The idea of a book just about composition appealed to me. My mom gave me a copy for my birthday in August. I took a while in reading it. The writing style is a little formal, but fortunately it's not hard to digest.

I actually felt like I had become a student of the Paul Comon school after I read it. But, I still certainly realize, like he says in the book, there are no hard and fast rules. Therefore, fear not to read it; you are not required to follow. ;)

That being said, the book is excellent. The principles are well laid out, and I suppose he covers everything in the usual gamut of photographer's composition (though I haven't read very many books on composition…). His approach is generally non-technical; whether you just have your old point and shoot or a brand spanking new DSLR, you can benefit from the reading. Matter of fact, though digital is more powerful in ways, you can still definitely take away stuff from the book if you're using a film camera.

I also like the design of the book (I have the paperback) very well. The pages are quite clean, using color and shapes in a pleasing manner. The font is fitting and pleasant, and the new age lowercase look actually works. Comon is also a very good photographer. His pictures illustrate his points well (and he specifically talks about the pictures; teaching by example, comparison, and your perception). A good chunk of the photos are in black and white, but color pictures are interspersed throughout, and he does have a whole section on "Color & Shades."

Recommended.

This is the rewrite of the review; the first version I put up felt pretty contrived… I disliked it, so I am replacing it with this rewrite/edit. I hope you enjoy it, and apologize for any revulsion caused by the previous version. I felt like I didn't really know *how* to write a book review, so I did some research. This page seems to be a pretty good guide, but my results were meh. And… if you still want to read the old version, I put it up here.

Yes, despite being sick, I shall put up some posts. =)

I recently tried out the Avant Browser again. It is actually a shell to Internet Explorer, something I already knew, but a very impressive shell at that. The interface seem fairly cluttered, but it is brimming with features. Useful features, at that. Some of them are: mouse gestures, an ad blocker (which seems to have a preloaded list! woot!), add-ons and IE add-ons support, and an online browser data storage service (Bookmarks, RSS Feeds, AutoFills). Also interesting and kind of cool is the ability to display multiple web pages at once; in windows inside the browser, really. I remember someone saying a browser that could display multiple pages at once would win them over. Well, there you go. Pretty easy, too, just cascade or tile horizontally or vertically.

The reason I uninstalled it again this time (though I reinstalled it to write this)? It kept setting IE as my default browser. But it doesn't seem to be doing that now… hmmm.